我是勾勾手劉志廣，用“粵語”來寫作！看不明白，請多看香港電視或多點唱“粵語”歌。。。
01-老劉說
在塞爾維亞克拉古耶瓦克舉行的 easa 2021現實研討會上，一群國際建築學生自建了一個木製移動亭。植根於巴爾幹半島的文化，這個結構被設想為多種情況下的共同基礎。
Shatra is a self-built wooden mobile pavilion built with a group of international architecture students during the EASA 2021 Reality workshop held in Kragujevac， Serbia。 Rooted in Balkans culture， the structure was envisioned to act as a common ground for multiple scenarios。
Atra，名詞，集市上有女性覆蓋的攤位，或大或小的帆布帳篷，就像巴爾幹文化中集市上的帳篷，shatra 被確立為一種特殊娛樂的標準擁有屬性，幾乎沒有任何物質元素： 一張桌子，一個帳篷。這是一個歌頌愛情和死亡的地方，在這裡可以享受音樂，食物和飲料，愛情，爭吵和佈道的空間。該研討會旨在透過 easa 現實研討會的新背景，轉化和調整這些空間-社會關係。
Šatra， noun feminine - covered stall at fairs， larger or smaller canvas shelter， like a tent at a fair In the Balkans culture， Shatra is established as the standard for a particular kind of entertainment， characterized by few physical elements： a table， a tent。 It is a space that celebrates love and death， where music， food， and drinks are enjoyed， space for love， quarrels， and sermons。 The workshop has aimed to translate and adapt these spatial-social relations through the new context of the EASA reality workshop。
受此啟發，我們想要研究並揭示一個極具地方性，主要是文化現象，毫無疑問，它包含了非凡的建築和空間元素。物理結構的改變外觀和完全不同的社會背景是否改變了它的本質和運作方式？
Inspired by that， we wanted to examine and demystify an extremely local， primarily cultural phenomenon， which undoubtedly incorporates extraordinary architectural and spatial elements。 Do the altered appearance of the physical structure and its completely different social context change its essence and its modus operandi？
